All artists, big or small, are living a dream of art. The painter is no exception, there is no dream painter is incredible, of course, is not to say that the dream must be able to draw good works. "Dream" is in the innermost corner, let your dream place in, many worry dirge precipitation place. Like a hidden Guqin in the heart has not played, when it was inadvertently touched the tip of the finger, it will flow out of the song, flowing out of the beautiful picture.
The dream of Guangzhi begins with reading in the Art College of Xiamen University, touched by a brick and a tile, flowers and grass, sea and lake, natural landscape and cultural landscape, then the initiation of the idea of performance. When the traditional landscape painting language and artistic performance can not meet the needs of the heart, inside the anxious depressed, searching, becomes a seed buried in my heart. Once the conditions are achieved, the dream in the hearts of germination.
People often ignore the familiar sceneries, always think of the country folk songs. However, the most familiar land, has long been marked in your life. Childhood grew up in Fujian, began to try to depict the Minnan scenery of bright, lush and verdant, moist, so the birth of its undergraduate graduation creation "one of my little living place" and other works. Even though it is only the beginning, but in his days after the spring has dream wings. or you do not recognize, as long as look at the screen, you know that you live in the northwest, or south of the Yangtze river. Just as hard to change the accent, even speak in a dream is the taste.
The pursuit of individual innovation in contemporary painting has become the trend of the times. The traditional landscape painting technique is complete and mature, forcing most of the landscape painter to abandon the conventional theme, looking for another way, have turned to the local characteristics of the place. For example, Taihang Mountain, the Loess Plateau, Guilin Scenery, the snow covered plateau, grassland pastoral, Gobi singing send, sea tide and so on, this is not the only one. The emergence of a number of painters are longer than painting countryside landscapes, ice and snow landscape, garden landscape, urban landscape. Guangzhi will be transferred to the strong South Fujian style of the ancient residence, is logical. The ancient residence is different from the private gardens are elegant, different from the Anhui residence of the simple and smart, different from the Hakka residence of ancient and deep, different from the Beijing courtyard of the solemn calm, it only belongs to the South Fujian people's home. The marble alley, added a bit thick and simple; the red brick floor, make people feel more warm. Carved eaves show the characteristics of traditional China architecture, just not a little heavy, not deep, not complicated, not beautiful, only feel a lively life, yearning and hope for a passionate life of farmers or fishermen. Here, not Jiangnan old buildings scattered continued sailing, housing generally in their respective units, next to each other, or is in the courtyard layout, a pond, haystacks, vegetable house. Guangzhi is not exhaustive, but the focus of uptake of a local, especially with the depiction of the courtyard. Carefully refined makes him overcome the general performance of the courtyard and delicate trivial, not vulgar, not old, people always picture a thriving the breath of spring, hazy moist as in a dream. A wall full of vines, potted under it, a chair, a sleeping cat, a doll or toy car, the number of ray of sunlight in the meantime, how quiet! Hui Zhenshi for the title poem: " One year is easy and the autumn wind, Sunday leisure and relaxation. Afternoon dreams do not know time is late, rosy clouds full of courtyard are red." In spring, poets often worry, "fall red too much that worries as sea", the flowers do not often open, the spring is not often, "ruthless noisy sparrows fly to spring, don’t understand sorrow" (Shen Zhou). But here, perhaps you remember the past, but never remember Yu Guangzhong's “Nostalgia”. Light, lighter, perhaps tired of the farmers have to sleep, we do not disturb them.
It is easy to make a mistake to describe a building. Guangzhi placed many parallel lines are not parallel, the foggy dilute sudden feeling caused by many right angles. Picture smooth, quiet and there is no lack of momentum. Look, look up, look down and multi angle change highlights the structure of the beauty; but there was ink moist but with bone, while maintaining a line of strength and charm, clever use of boneless, are more abstract components, highlighting the beauty of ink; in spring and summer, autumn and winter, dawn, noon and dusk at night, sunny, cloudy, rainy and subtle shading and different season, different time, different climate. Rich color and harmony, with binary color, broken color, showing the beauty of artistic conception. In the deformation and rich decoration, but did not become a decorative painting or pattern. Although the reference to some contemporary famous painting, but not too mechanically. This is good at learning alliance thinking and practical results. No matter how the picture changes, the same is the warmth of the points that the spring breath.
Guangzhi with his brush praise and missed his home, in advocating the protection of cultural heritage today, we do not name in order to protect the development and to crush his dream of spring.